'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

In the center of the film is a powerful, peculiar, talented Russian man, the largest timber merchant Yegor Bulychyov. He is experiencing a tragic discord with himself, with the world that surrounds him, with great social injustice, to which his whole life has been given. The idea of the film is to determine the purpose and meaning of the existence of the human person, consider its polysyllabic and versatile connections with the world.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
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