Why "The Watermelon Woman" is Just as Powerful 30 Years Later
This movie will always resonate with queer people, for as long as queer people exist.

Yasmine is the daughter of a wealthy man who was not interested in females, so he left her at the door of an orphanage. She grows up in the orphanage, then runs away from it to join a gang of children. She meets a musician who tries to protect her, so he convinces her to work with him and sing, but she gets tired of the life of poverty and runs away from him. After her escape, he discovers that she is the granddaughter of a Pasha, so he tries to help her return to her family.
This movie will always resonate with queer people, for as long as queer people exist.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
This sports drama movie is centered around an Asian American boy named Chang.
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.