‘Little Woods’ Review: A Powerful New Take on the Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

The film tells the story of a famous artist's love for a woman. Famous singer Ekrem gives a concert for the benefit of Darülaceze. After the concert, he falls in love with nurse Fatoş, whom he meets. After a while, they decide to get married. Ekrem cancels his six-month contract because he is getting married. His manager blames Fatoş for this situation. He talks to Fatoş and asks her to leave Ekrem. Fatoş leaves Ekrem on their wedding day so as not to hinder his fame. She sets off for Izmir. However, she misses her flight. When the plane she missed crashes, everyone assumes Fatoş is dead. Ekrem, believing he has lost Fatoş, will struggle to come to terms with it.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
A family comedy that combines fantasy and normal school life.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.