We Are Pat (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

The film follows the story of Ellie, a young girl from a violent home. The 9-year-old seems to escape from her harsh reality by spending her days in the woods of a nearby scrapyard with her friend, Pete. There, the pair have built a new home for themselves. One night, after witnessing the horrifying abuse of her mother, Ellie decides to come back home and confront her stepfather.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.