Hara's new film 「焼け跡クロニクル」 is a documentary film about Hara's attempt to rebuild his life from scratch after his house burned down in 2018 and he lost all his household goods and film equipment. Co-produced with Maori Hara, his partner in both public and private life, the film combines 8mm film salvaged from the ruins of the fire with digital footage shot on an iPhone to tell the story of his recovery from the fire.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
It’s 5:30am. The baby’s crying, but you need to finish prepping for your big pitch at work that morning. What do you do? You do the near impossible: both. That's what "Workin' Moms" is all about.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
