Ozgur is a young woman who is the daughter of a refugee family fled to France. She is born and raised in Paris. After her father Huseyin's death, she comes to Istanbul to fulfill Huseyin's last wish. He wanted to be buried in his own country. But because of September 12 military coup d'etat period, Huseyin is no more a Turkish citizen. So this happens to be a great obstacle for Ozgur. This will force Ozgur to a journey both in Istanbul and herself. In this journey Ozgur will meet with her father's and mother's relatives who are completely different people. Most importantly she will meet with Ferhat who will deeply effect her. This journey will become a confrontation with themselves and 2011's Turkey for Ozgur and Ferhat.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
