Scrumptious, sensual, brown brutha XL shows why he’s the King of Verse in duos, trios, sideways, in all ways – XL is da truth, baby! Ace enjoys XL in a swing; At the Oasis, Jovonnie and Trez share XL favors; in a abandoned backlot Mr. Cali deep kisses, toe sucks, and buries his face in XL’s ample behind; Noah Donovan and XL slurp each other; and Young Buck, Lasko, and XL freestyle fuck in a moody piece.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
