"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Trying to earn money, Chico turns to the drug game, but things get loco in the barrio. When a hit man kills Chico's cousin and his wife, this rookie dealer must finish a bloody street war he didn't start.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7