A vibrant collection of live gospel performances showcasing some of the most influential voices of the late 2000s. WOW Gospel 2010 brings together powerhouse artists including Donnie McClurkin, Byron Cage, Smokie Norful, Marvin Sapp, Israel Houghton, The Clark Sisters, Bishop Paul S. Morton, Tye Tribbett, and more, delivering a dynamic worship experience through a curated set of standout songs. Featuring uplifting anthems like “The Great I Am” by Donnie McClurkin, “Praise Him in Advance” by Marvin Sapp, “Justified” by Smokie Norful, and “Chasing After You (The Morning Song)” by Tye Tribbett & G.A., the DVD captures the energy, passion, and spiritual depth that define the WOW Gospel series.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
