Godzilla Tier List: Ranking the King of the Monsters
A complete ranking of every Godzilla movie, including shared universe films.

Combine some of earth's most gorgeous locations -- such as the Canary Islands, Rincon and Waikiki -- with the best longboard action anywhere, and what do you have? "Wordz." See profiles and interviews with hot surfers such as Colin McPhillips, Titus Kinimaka, Alex Knost, Joel Tudor, Summer Romero, Mary Bagalso and Kassia Meador, all backed by a killer soundtrack that sets the mood from mellow to hyper. Every longboard freak needs to see this film.
A complete ranking of every Godzilla movie, including shared universe films.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
A successful author’s life is upended when she finds herself on a plantation straight out of the antebellum south.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?