'The Slumber Party' (2023)
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.

A "good-time girl", raised by her somewhat lax divorced father, finds herself involved in an accidental death, and the only way she's able to get out of it is to volunteer--albeit reluctantly--to be a nurse in the war effort. She travels to England and is assigned to a hospital under a very strict matron. What the girl doesn't know is that the matron is the mother she has never seen.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.