Trevor: The Musical About Finding One's Identity
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.

As far as the rest of the world is concerned, mill heiress Deborah Chandler Clark is dead, killed in a freak auto accident. But Deborah is alive, if not too well. Having discovered a horrible truth about her new husband, Deborah is now a “woman in hiding,” living in mortal fear that someday her husband will catch up with her again. When a returning GI recognizes Deborah, however, she must decide whether or not she can trust him.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.