"Space Sweepers": A Charming Sci-Fi Adventure with a Political Message
Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.

Thunder, a dog raised by Ellen, a sheepherder's daughter, is driven to the wilderness by the brutal treatment of her father, Bill Garside, and becomes an outlaw; when grown, he takes command of a wolfdog pack. Later, Ellen, driven from her home by the same brutal herder, seeks refuge at the cabin of Neal Barrett, the forest ranger; she is pursued by the hungry pack and is stranded on a rocky cliff where Thunder once again encounters his former mistress. He challenges the pack in her defense, provoking a battle between himself and a rival for his command. Later, Thunder rescues Ellen from her brutal father.
Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.