A strange phenomenon is taking place in the village of Viișoara: the men have disappeared! Because they couldn't stand the tyranny of Varvara, who runs the agricultural cooperative, they preferred to get a job in a factory, but things don't go according to plan there either...
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
For those tranquil houses with white fences, what is happening behind every closed door?
An in-depth discussion about anti-Black discrimination in college and professional football.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Not a lot of people realize that being introverted is not always a permanent state of mind. Being considered an introvert by others is a complicated thing; not everyone likes being labelled “shy.”
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
