A Closer Inspection of LGBT Characters in Film
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

A cat lover, Jesus leaving the cross and Christmas carollers holding pitchforks are set against a snowy and icy scenery. ‘Zima’, a psychodelic journey to a small fishing village, collects as if in a lens the behaviour, customs and vices of the Polish provinces. In this small community, different views, the behaviour of people and animals and their mutual relations clash like ice floes on a lake. Maintained in the convention of magic realism, this animation is like a horror playing out to the accompaniment of barking dogs and a punk metal music score.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Guillermo del Toro's masterwork "Pan's Labyrinth" stands test of time as it celebrates 20th anniversary in theaters.
A complete ranking of every Godzilla movie, including shared universe films.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.