The Suicide Squad—An Overlooked and Underrated "Sequel"
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.

Eevi works in a beauty parlor, leading a humdrum life in the suburbs of Helsinki with his husband Kari, a wannabe rocker. After the jackpot, the couple agrees to carry on with their lives as before, without telling anyone about the stroke of luck. But the money is burning holes in their pockets and that’s hard to hide. Their opinions about themselves and their relationship are put to the test. Everyone seems now to have a strange attitude towards them – although they try to pretend to be the same people as before. Do the millions bring happiness after all?
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.