“We Are Pat” (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

An ancient Indian warrior who has reached the end of his life is brought back from his 'death' to save his family from a raiding party of enemy Indians in this unique story of 'Indians without a single cowboy.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.