Cartoon Saloon: An Irish Animation Studio that Needs More Attention
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.

The fourth and last of the George A. Hirliman-produced films starring George O'Brien (preceded by "Daniel Boone", "Park Avenue Logger" and "Hollywood Cowboy") that were distributed by RKO Radio. Hirliman sold O'Brien's contract to RKO, which then produced 18 series westerns starring O'Brien that ended when O'Brien went into the Navy at the outbreak of WW II. Long-time (past and future) O'Brien director David Howard served as Hirliman's Associate Producer on this film. "Windjammer" finds O'Brien as a subpoena server ordered to serve a subpoena on Brandon Evans (The Commondore) for a senate inquiry or lose his job. Posing as a playboy, he boards the Commodore's yacht during a yacht race, and the yacht is wrecked by a gun-running windjammer commanded by Captain Morgan (William Hall.) All hands are picked up by the windjammer, including the Commodore's daughter (played by Constance Worth) and put to work as galley slaves.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.