‘Oppenheimer’: The Man Behind the Myth
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.

"The Impending Death Of The Virgin Spirit," "Visiting," "The Bricklayer's Beautiful Daughter," "Silent Anticipations," "Woman Of The World," "Because It's There," "Follow Through," "Aerial Boundaries," "Vashon Poem," "The Orangutan Gang," "What Goes Around," "New Electric India" and "Streetnoise."
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.