‘Black Widow’ Is About Yelena, Not Natasha
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.

A mosaic of stories explore Iranian modernity. Following a Persian literary model, personal dilemmas, fanciful speculations and historical motifs follow one another, establishing evocative correspondences between them. From the commitment with which the characters narrate events, it is clear that, beyond history, human time corresponds to myth and anecdote: mythological birds, misregistered surnames, scars from chemical weapons, and memories of deceased women.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
For those that are unaware, the trailer for the new Civil Rights movie Till has been out and it's absolutely amazing for all to see.