
The attractive Moni works as a photo reporter at the local newspaper of her small hometown Lüsgraf. One day, when the bricks-and-mortar shakers, makers of electric shavers and the village's biggest employer, face bankruptcy, the male workforce occupies the factory to prevent them from selling to a dubious investor. In the meantime, Moni and her friends have come up with a different plan to save the company: Instead of making old-fashioned razors, the squatters should rather switch to the production of modern massage sticks! Now the ladies have to make their plan only the Lüsgrafer men tasty ...
'Bros' is a must-watch for October's LGBTQIA+ History Month and it's as good a rom-com as any! Don't let box office numbers or misguided reviews deter you from this great film.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
‘Better Than Chocolate’ isn’t perfect, but it sure has charm! The characters are great. Some took longer to grow on me than others, but ultimately they’re all compelling! I appreciate how a select few help those around them to grow.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.