'The Polar Express' (2004)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

After losing his wife, Daniel is trying his best to be the father his 12-year old son, Lucas, needs. Which is why, when Daniel starts suspecting that Lucas might be keeping a secret from him, he looks through his things with the best of intentions. Finding a love letter Lucas wrote to another boy, however, Daniel freaks out and confronts Lucas about his sexuality, claiming the teenager is too young to know he’s gay. With the fallout of their fight tearing up the letter – and their relationship – to pieces, Daniel must find a way to make amends, and in the process maybe even realize he’s not that different from his son.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
This live-action Barbie movie brings strong feminism and topics about blondes.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.