Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

In documentary style, Al Pacino tells the story of how he came to stage a production of Oscar Wilde's Salomé. He travels to the Mojave Desert ("dessert?"), to Ireland and the United Kingdom to show who Wilde was as a private person and as a writer.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.