Armed only with a bow and an ensemble of animal skins, Martin sets off into the forest in a misguided attempt to overcome his midlife crisis. A chance meeting with a fugitive named Musa leads to a twisted trip through the fjords with police, drug runners, and Martin's family not far behind. As an unlikely friendship develops and wildly original set-pieces unfold, Martin's quest for manhood leads to deep and hilariously uncomfortable realizations about the presumed masculine ideal.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
This Netflix original series is for animal lovers and fans of light horror series.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
