Snow blankets the trees and green lights dance in a star-filled sky. For a brief time during the festive season, our thoughts turn to a winter wonderland, far to the north. It’s a place best known to outsiders as Lapland, the magical home of Santa Claus. But far from the festive lights, Santa’s home is even more enchanting than you may realise.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
A story about precarious tricks and unstoppable discipline to inspire young viewers. They'll learn that like any dream, achieving Cloud 9 is possible.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
