A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

Narumi, a newlywed wife, is also passive about sex. Her husband Yōsuke is told by Mai, a secretary who has relationships with executives, that “a woman has the face of both a lady and a prostitute.” Narumi, who once hunted for men through a telephone club, is now in a relationship with Yōsuke’s boss, Tajima. When she is held by him, Narumi has the face of a prostitute. Yōsuke finds contraceptives and flashy underwear in Narumi’s room and his suspicions deepen. Narumi tries to break off her relationship with Tajima, but his actions escalate…
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
A young girl named Hailey Mays sings a country song that is named after the film's title.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.