"Do Revenge" Bends Genres, Champions Authenticity, and Promotes Inclusivity
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.

Whenever Pastor Piepenbrink gets his “deputatsrabbit”, there’s a frenzy in Pumpelshausen. For every time the rabbit is hung on the gable of the parsonage, every man in the village has the ambition to kidnap it. For that reason, the field watch Fuchtel is going to guard it with his pistol. Gustav Rabbit is to be kidnapped once again this year; but Marianne, the beautiful daughter of the town elder, is determined to save it from this fate and convinces a holiday guest, the singer Kasimir Haase, to pull down the rabbit. And it just so happens that the pastor’s house is attacked from several sides. The next morening, the rabbit is still on the gable … but stuffed. The storm begins; who has the real rabbit?!?
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.