Yukawa, a temporary bathhouse attendant, arrives at the public bathhouse run by Aya, a widowed proprietress. One day, Kozue and Shizuka—members of a junior college "bathhouse research club"—visit the establishment. Chaos erupts in the women’s section when a regular customer picks a fight with Kozue. Comforted and encouraged by Aya, Kozue finds a new spark and begins a romance with Nogata, the local milk deliveryman. Meanwhile, Shizuka hits it off with a regular named Toyoda over some drinks and proposes a unique arrangement: if she can help him overcome his impotence, he must pay for a trip abroad for her.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
