Why Girls Go Back Home (1926)

Omaha reminds us of what it can feel like to look at old family photographs.  You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it. 

A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.

If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching. 

Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.