“Forbidden Fruits” (2026)
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.

The second film of the Pandemic Trilogy, “Why Am I Still Here Then?” is a sequel to 61 Street No 4, and it makes the audience experience the unconscious reflection of the Other who entered in the previous film. The monologues throughout the film emphasize the character's feeling of being stuck and her confrontation with the unconscious. As a result of the confrontation, the audience is left with a mind ready to be completely liberated. Experimental narrative, creative montage and sound design come to the forefront in “Why Am I Still Here Then?”, and it narrates us understanding and accepting our unconscious.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
David Fincher is back in his playpen, with a dark and chilling thriller.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.