A knock on your door sets in motion the feeling of anxiety. Should you open? Who, or what, will you encounter if you do? The characters of this continuous-shot anthology film – a billionaire, a commercial pilot, a trainee police officer, and a young single mother – find themselves in critical situations, facing the unknown. To make the right choice they must look deep within themselves, and recognize the true source of their fears.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
A socially conscious film that draws attention to the plight of American military veterans.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
