Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

This is a historical document. Sathya Sai Baba, Avatar, Guru, the Christ that walked in India. Scientists and people of culture, analyzing the phenomenon Sai Baba. Vibuthi the ash that poured out of his hands, the materialization that he could do of rings, watches, necklaces as divine presents for his devotees. The many miracles, the healing, the fantastic stories about the most extraordinary man you'll ever know.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
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A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.