‘Little Boxes’ Had Good Intentions, But...
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.

A basic white girl finds herself in the middle of the zombie apocalypse, forcing her to decide what is more important, survival or Starbucks? When she meets a group of survivors with conflicting personalities, tempers fly. In the apocalypse, humans pose more of a threat than the undead.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.