Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

White Death poster

White Death 

Léo, twenty five years old, is a being who has lost himself. He is alone in a more and more unbearable existence by means of space and of vacuity. He is exhausted, incapable to pursue. For Léo, drugs are another means to spend this endless time which we call life. On a soft summer night in an abandoned villa surrounded with trees and with greenery, he injects a big quantity of heroine in the shape of ultimate journey with no return.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Léo, twenty five years old, is a being who has lost himself. He is alone in a more and more unbearable existence by means of space and of vacuity. He is exhausted, incapable to pursue. For Léo, drugs are another means to spend this endless time which we call life. On a soft summer night in an abandoned villa surrounded with trees and with greenery, he injects a big quantity of heroine in the shape of ultimate journey with no return.

Rating:
Genre:
Directed By:Claude Chamis
Written By:
In Theaters:
Box Office:

Runtime:18 minutes
Studio:

Articles You May Like


Marion Ravenwood, the Unsung Hero of 'Raiders of the Lost Ark'

For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.

Matt Geiger

Short Film Review "Jamarcus Rose & Da 5 Bullet Holes" - Chasing ambitions, accepting guidance, finding brotherhood, and realizing the fragility of life

Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.

Kirk Fernwood