Andhadhun: A Retrospective
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.

A rural community awakens to a crime scene in the middle of the forest. Gradually, a series of previous situations show us the conflicts that occurred in the same place.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
A dynamic journey of self-acceptance and identity.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.