Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Where Is Moonnie? poster

Where Is Moonnie? 

Eunjo, Moonnie, and Geun-young are old friends. To live a more disciplined life, Moonnie hires a hitman to kill her if she fails to follow her schedule. The next day, Moonnie goes missing. Amateur detective Geun-young begins investigating to find her friend, and her suspicions turn towards Eunjo.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Eunjo, Moonnie, and Geun-young are old friends. To live a more disciplined life, Moonnie hires a hitman to kill her if she fails to follow her schedule. The next day, Moonnie goes missing. Amateur detective Geun-young begins investigating to find her friend, and her suspicions turn towards Eunjo.

Rating:
Genre:Comedy
Directed By:Lee Ga-hee
Written By:Lee Ga-hee
In Theaters:
Box Office:

Runtime:32 minutes
Studio:Korea National University of Arts

Articles You May Like


Short Film Review “Marque Dos” A quick, charmingly humorous, but dramatically potent view of holding fast to dual identities and embracing your heritage

Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?

Kirk Fernwood

The Naked Gun: New Squad on Fire!

Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.

Nilufer Ozmekik