Stathis Psaltis, as a Greek, pulls the oar and searches for the Ithaca promised to him by Giorgakis. Giorgos Konstantinou holds on tightly to the last loaf of bread so that the IMF doesn't take it away from him. Martha Karagianni, outraged by everything she sees on television, decides to throw it away. Kostas Evripiotis feels the "nightmare in the kitchen." Dinos Spyropoulos is a farmer who searches alone but finds nothing. "Julia's maid" Christina Psalti describes what happened in the pink room, and Stathis Psaltis, drinking champagne, wonders "to be or not to be." But Greeks never bow their heads. They forget all their problems at a folk festival with Sofi Zanninou.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
A wholesome love story that's perfect for fans of romance movies and animal lovers.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
