Based on a SINEGANG.ph article of the same name, this meta-documentary follows two aspiring Leyteño filmmakers as they set out to explore and document the film scene in Leyte (or the lack thereof). As their project unfolds, the region’s cinematic void begins to weigh on them, testing their passion and leading them down a path of growing frustration and disillusionment.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
