“Host:” Quarantine Horror for the Online Generation
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

Young lawyer Tod Jackson arrives in pioneer Kansas to visit his prosperous rancher friends the Daltons, just as the latter are in danger of losing their land to a crooked development company. When Tod tries to help them, a faked murder charge turns the Daltons into outlaws, but more victims than villains in this fictionalized version. Will Tod stay loyal to his friends despite falling in love with Bob Dalton's former fiancée Julie?
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.
Avengers: Doomsday, Jumanji 3, Hunger Games are some of the biggest 2026 movies tied to popular franchises, books, video games, comics, and existing series. From Marvel to DC, Disney to Pixar, across Hollywood studios.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.