
Jane Coleridge and Peter Jamison are a pair of small town sweethearts. She's an old-fashioned girl and he's timid, but he manages to get up the nerve to propose and asks her to run away with him. Unfortunately, around the time Jane's supposed to meet him at the station her father dies and she has to take care of her brothers and sisters. Jamison believes she loves someone else and disappears for several years. When he finally returns, he has a three-year-old child in tow. But he explains that his wife has been unfaithful and he and Jane renew their romance. Then wife shows up and causes trouble by claiming that Jamison left her for Jane.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
The highly anticipated Marvel superhero movie of the year displays important themes of loss, loneliness, and change.