“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

Released in January 1920, this silent romantic love triangle crime melodrama, about a man who sells fake stock and fakes his suicide. His wife remarries, but her new husband suffers a crippling accident, and wants to die, so she gives him a gun. The day he succeeds, her first husband returns, having made a fortune, and they are united.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
American Fiction is a genuinely entertaining film with a few lessons.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.