The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Ferran Griego imagines hunky Buddy Jones stripping and drinking milk and getting it all over himself while he cums. Buddy looks leaner here than usual -- and while he's still fantastic, we kind of liked him a little fleshier. He still has that humongous dick, though. He also seems to have more of his natural body hair than in earlier appearances. He puts a lot into his performance -- he has a cute, boyish voice and his sex-talk is somehow more convincing and engaging than the usual performer's.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.