"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

It's based on the events of 6 April 1966, where, in the Melbourne suburb of Westall, 200 students, staff and local residents watched as a strange object hovered overhead for several minutes, landed briefly, then lifted off and vanished. Witnesses described it as low flying, silver-grey and shiny, shaped like a ‘cup turned upside down on a saucer’ and accompanied by five light aircraft. A mass of excited students surged out of school and ran after the object. Many reported seeing a circle of flattened grass on the ground where it had landed. One said she touched it as it took off. Others observed men in uniforms cordoning off the ‘landing site’ and removing soil samples by the truckload. Some say they saw uniformed men torch the area a few hours later. The incident was reported on the news on television that night and in the local newspapers.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.