Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

When a proposed pipeline creates hostilities between residents of a small town, a newly-arrived forest ranger must keep the peace after a snowstorm confines the townspeople to an old lodge. But when a mysterious creature begins terrorizing the group, their worst tendencies and prejudices rise to the surface, and it is up to the ranger to keep the residents alive, both from each other and the monster which plagues them.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.