Two childhood friends in their mid twenties live together in New York City, dealing with their inner demons, come to a crashing confrontation that may change the course of their relationship forever. Amanda, the spontaneous and easy going friend, has found herself in isolation battling mental illness which she holds secret. Jamie, the over planning and result-driven friend, has lost her path in life. Both wanting support from the other, but neither wanting to admit they need help, end up in the living room of their apartment, revealing their bottled up feelings.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
As a frequent “the book was better” extoller, this movie was well worth the watch.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.
