The Charmed Reboot Deserves More Respect
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.

Made jointly by the Women’s Film Workshop and some of the inmates of the California Institution for Women, this is a moving analysis of why the women are in prison, what’s happening to them, what’s to become of them. It begins and ends with film taken outside the walls, while the rest is videotape transferred to film of the prisoners talking about race, sex and religion, class, economics and drugs. Occasionally statistics are inserted, but generally the women show such a degree of articulacy and radical thought that what they have to say is explanation enough. A remarkably undated combination of political anger and collective tenderness.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.
'Hawkeye' episode five features Clint facing his sins, Kate having dinner with an assassin, and the reveal of the long-awaited [SPOILER].