‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.

Ludwig Gruber, the director of a spa café, is a good man. Now and again, he makes little adventure-trips to Berlin to find business for his company. The women he is traveling with have an accident on the highway. Gruber is traveling incognito as “Mr. Rabbit” with Lotte, the leader of the group. Because of the accident, they’ll have to overnight together in a hotel. Since Mr. and Mrs. Rabbit are a “couple”, they’ll be getting a double-room, where they can … mmm … do what rabbits do. Since they both insist on climbing into bed with the lights out, it isn’t until the next morning that they notice they’ve been in the same bed the whole night. In the ensuing chaos, Grube loses his wedding ring, which is later sent to the address of Lotte’s mother, who now insists repeatedly, that he marry her daughter.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Not every silence is empty. Some are filled with things too heavy for words.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.