
David has got himself pretty well organized, he’s got friends, jobs – not bad. Broods a little, but who doesn’t. Occasional political activity. He never really grasped why Wendel, his best friend for years, had left. Just took off. The fool. Emigrated. Back in the seventies, they had shared their lives, their love, their apartment and sometimes even the same woman. And now, what happens? Wendel comes back, out of the blue. They spend the day together.
It’s 5:30am. The baby’s crying, but you need to finish prepping for your big pitch at work that morning. What do you do? You do the near impossible: both. That's what "Workin' Moms" is all about.
“Eleanor The Great” is a feel-good story that explores how we cope with grief and loss while educating us about the horrors of the Holocaust.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.