The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

A young couple decided to start their life together by moving to a remote village. They encounter a very supportive community that does everything it can to make them feel welcome. In spite of that and although they feel the pressure to have a child soon, there is a latent threat. In fact, the village holds a secret that will change their minds. Rural life is no longer idyllic.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Personalities clash and tempers fume in a family-run Chicago restaurant
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.