Drew McCullough, a lonely young Irishman, sells carpet for a living. One night, he is transfixed by the image of a beautiful, exotic woman in a painting. Suddenly, she steps out of the painting and into his arms. For an instant, they are locked in a passionate, soul-churning kiss and then she's gone. Is she real or has he just lost his mind? He's going to find out no matter what the cost. And it costs him dearly. In his obsessive search to find her, his life is turned upside down. In the end, Welcome to September is a quirky story about fantasy, reality, obsession and love, and how all of these things are just different sides of the same coin.
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.
The iconic title character stars in her own horror and gothic TV series.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.
